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Listening to Fats Waller
by
Richard Greene


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I think
this was the music of my mother's youth.
She danced like a flapper, I suppose,
something it can be hard
to imagine one's mother doing,
but she showed me the Charleston
when I was in my teens.
We danced it the only way you can,
energetically,
mother and son,
between the sofa and the baby grand.


© by Richard Greene.

Used with the author's permission.

 


Richard Greene began writing poetry in the 8th grade, inspired by the opening lines of Longfellow's “Evangeline”—“This is the forest primeval. The murmuring pines and the hemlocks / Bearded in moss and in garments green, indistinct in the twilight"—which he was required to read in class. In college, after a classmate deemed Richard's rhyming poem “trite,” he stopped writing until, a couple of years later, a class with Henry Rago, subsequently editor of Poetry magazine, inspired him to resume his efforts. But poetry fell by the wayside for almost forty years as a busy career in international development consumed his life. As retirement approached, however, Richard's dedication to poetry returned; he has since published three chapbooks: The Broken Guitar: Poems of War; Becoming Old: Poems of Aging; Painting with Words: Landscapes in Verse; and one full -length collection, To Talk of Many Things: Selected Poems. Richard, who lives in Nyack, New York, shares a "poem of the week" with anyone interested; get on his mailing list by requesting it at greeneplace@gmail.com.

              

 


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